 Tagline: RED ... Retired Extremely Dangerous... Aims To Please. Frank (Willis) is a former black-ops CIA agent living a quiet life alone...until the day a hit squad shows up to kill him. With his identity compromised, Frank reassembles his old team - Joe (Freeman), Marvin (Malkovich) and Victoria (Mirren) - and sets out to prove that they still have a few tricks up their sleeves. Stand back and watch the bullets fly in this explosive action-comedy that critics call "a rip-roaring good time." (Kevin Steincross, Fox-TV) Storyline: Frank (Bruce Willis) is retired, bored and lonely living off his government pension in a nondescript suburb in an equally nondescript house. The only joy in Frank's life are his calls to the government pension processing center when he gets to talk to his case worker Sarah (Mary-Louis Parker). Sarah is as bored and lonely as Frank and marks her conversations with the unknown Frank and her spy novels as the only things fun in her life. When something in Frank's past forces Frank back into his old line of work and puts an unwitting Sarah in the middle of the intrigue, Frank and Sarah begin a journey into Frank's past and the people he used to work with. Like Frank they are all RED ... Retired Extremely Dangerous. Written by Malcolm is Crazy Reviewer's Note: Reviewed by Martin Liebman, January 16, 2011 -- Old man my ass! Assassins. Paranoia. Mind control. Spry spies. Unlikely Loves. Political gamesmanship. Big government. Deadly secrets. Retirement homes. These are just some of the ingredients all mashed together in Director Robert Schwentke's (Flightplan) Red, a D.C. Comics-based Action/Comedy hybrid that somehow manages to precisely measure its smorgasbord of ingredients and bake them into a delicious singular entity that's as action-packed as it is humor-laced. Though it might secure most of its laughs from images of Helen Mirren raining down the lead as she mans a heavy machine gun or from John Malkovivh, conspiracy theorist, running around with a pink teddy bear and wearing a gillie suit, Red finds an honest balance between the excesses of its two extremes, even if the action is made to resemble an over-the-top spectacle and the laughs are tasteful but sometimes tacky pokes at old age. Ultimately, Red is a movie that just wants to have fun, and even despite some shortcomings, there's an unmistakable electricity running through its celluloid veins that allows it -- and its audience -- to have loads. Frank Moses (Bruce Willis, Unbreakable) is a retired CIA analyst who spends his days figuring out excuses to call the lovely voice he's fallen for on the other end of the phone, a woman named Sarah Ross (Mary-Louise Parker, Solitary Man) who works for a federal pension office in the midwest. Frank manages to make a date with Ross, but before he can set out to Kansas City to meet her, he's attacked in his home by heavily-armed government agents. The talented Moses still has it, and despite his age he gets the best of younger and better-armed men. He flies to Kansas City to protect Sarah, whom he believes might also be a target considering that his telephone chats with her were sure to have been monitored. Frank has no choice but to piece together who wants him dead and why; that leads him to check in with his old mentor, Joe Matheson (Morgan Freeman, Deep Impact), currently living it up in a New Orleans rest home. Matheson tells them the story of a missing reporter and a hidden government hit list; the need for more answers lead Moses and Ross to meet with a paranoid conspiracy theorist named Marvin Boggs (John Malkovich, In the Line of Fire) and a former assassin named Victoria (Helen Mirren, The Queen) to strengthen their numbers and further their understanding of a vast conspiracy that leads to the highest echelons of American political power. Meanwhile, CIA tough man William Cooper (Karl Urban, And Soon the Darkness) is assigned the unenviable task of bringing Moses down. There are two critical elements that make Red a success: its lighthearted nature and its cast. As for the former, Red is a movie built on a deliciously unique premise -- yes, yes, the old spy angle is in full swing here and no, no, that's not the point -- that sees aged superheroes of the real kind get back in the game for another chance at glory, even if duty to country and self-preservation from thousands of rounds of ammunition was only days ago, for these characters, not even on their radar screens or as important as wooing that lovely voice over the phone, checking out the rear end of the pretty little nurses at the senior care center, evading real and imagined black helicopters, or clipping roses. Red is sort of like the answer to "how long can Die Hard go? When will Die Hard in a Wheelchair come out? The characters may not be quite that old -- even the 70-some-year-old Morgan Freeman (whose character is said to be in his 80s here) still gets around better than most -- but it's the idea of seeing these old timers back in the game for another go-round of action that makes Red so great. No matter that the audience has no history with these characters; the script builds them up nicely, and it's easy to see them in their younger, well, Glory days before lounging around in pajamas and watching TV was their raison d'être. The plot really doesn't matter, either; what matters is plopping a handful of geriatrics into the middle of some fantastically-staged action that's as loud and entertaining as most anything out there and watching them go to work, shooting and running and smooth-talking their way through one sticky situation after another like they were some physically ageless group of "00s." And then there's the cast that sells this thing. Names like Willis, Freeman, Malkovich, Mirren, Parker, Urban, and shoot, even Borgnine and Dreyfuss might sound more like an AARP meeting than a 2010 Action movie, but darn it all, they pull it off incredibly well. Ernest Borgnine lights up the screen in his limited role -- as he always does -- and Helen Mirren makes retirement sexy, and it doesn't hurt, either, when she's strutting her stuff from behind some serious weaponry. Willis, Freeman, Malkovich, Mirren, and Parker all manage to believably come together like they've been chemically bonded, and it's again a credit to both their understanding of the film's necessarily light overall tone and the strength of the script to so fully develop them that the audience can't help but feel they know four former and now, again, current compatriots inside and out. Even Willis and Parker manage plenty of sparks and form a believable romance that starts out excitedly tepid, turns south, and heats up as Parker's character becomes turned on by her man, the travel, and the adrenaline rush of finding herself in the middle of the more action that she could have ever imagined back in Agrestic. Karl Urban turns in a solid effort as the film's approachable and not at all loathsome "bad guy," and Richard Dreyfuss earns the award for the film's sneaky-good effort in a small-in-screen-time but critical-to-the- plot part. Red isn't perfect, though; the picture tends to drag in places, and what the film gains in extra character and plot development, it loses in sheer pace. It takes a good hour for all of the primaries to be introduced and even longer for the storyline to come into focus, but it seems like Director Robert Schwentke wants to -- smartly -- keep the audience as much in the dark as his characters, allowing the story to unfold in due course and as the characters, not a transparent script or generic themes, set the tone and figure out who's who and what's what. Nevertheless, for all the good the added material does, Red just doesn't maintain its stamina for the duration; a slow middle act is the main culprit, but said slowdown is certainly not a death sentence. Red is a polished, well-made film otherwise, one that's big on ensuring there's equal parts visual eye candy, thought-provoking story elements, and laughs. Red manages to walk the tightrope between comedy and action perfectly; it certainly favors the latter more than the former, unlike some of the more well-known Action/Comedy movies of yore like Armed and Dangerous, for instance. Red seems to know exactly what it is and what its audience wants; it's a complete movie that's not going to win any Oscars, but it's a heck of a fun little movie, and fun is Red's middle name. Red is all about fun. The movie wears that three-letter descriptor on its sleeve throughout, and they just don't get any less pretentious than this. Red earns high points not only for its honesty, but also for its ability to find that perfect balance between action and humor and, more importantly, ensure that its well-seasoned cast plays perfectly into the freshly-minted action scenes to make them as spectacular as they need to be. Red is a big movie thanks not only to one of the best ensemble casts ever -- that's right, ever -- but to the way it never takes its heart out of that perfectly little right place that makes the movie light as a feather and as powerful as a rocket launcher. Movies just don't get any more fun than this. Summit Entertainment might not release all that many titles, but the studio certainly has this Blu-ray thing down pat. A great movie is supported by a nearly flawless technical presentation and a nice little array of extra goodies that might be small in quantity but are high in quality. Highly recommended. (Based on Comic Book) -- (DC Imprints) Cast Notes: Bruce Willis (Frank Moses), Mary-Louise Parker (Sarah Ross), John Malkovich (Marvin Boggs), Helen Mirren (Victoria), Karl Urban (William Cooper), Morgan Freeman (Joe Matheson), Rebecca Pidgeon (Cynthia Wilkes), Chris Owens (Hanged Man), Jaqueline Fleming (Marna), Randy Wade Kelley (Paramedic), Jason Giuliano (Endercott), Alec Rayme (Cop at Intersection), Lawrence Turner (Retirement Home Assassin), Emily Kuroda (Mrs. Chan), Joe Chrest (Retirement Home Detective). IMDb Rating (11/04/14): 7.1/10 from 199,982 users IMDb Rating (01/23/11): 7.1/10 from 31,355 users
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